quotation markShe not only has the voice and the personality, but she has a very special way of communicating with the audience,
and even with the shortest possible aria, she can enchant the audience.

Biography PageTheodora Raftis is a coloratura soprano from Cyprus, based in Vienna.

She is a member of the Opera Fuoco Young Artist Programme in Paris. In addition, she will soon complete her Master’s Degree in Opera at the Vienna University of Music & Performing Arts, under the guidance of Professor Claudia Visca, supported by a scholarship.

She has won numerous awards, most notably 3rd Prize in the «Pietro Antonio Cesti» International Singing Competition for Baroque Opera 2019, 3rd Prize in the Otto Edelmann International Singing Competition 2019, 3rd Prize in the Casinos Austria Rising Star Award (CARSA) 2019 and 2nd Prize in the József Simándy International Singing Competition 2016. She has also been honoured with the A. G. Leventis Scholarship and Joseph Weingarten Scholarship. 

Her engagements include solo appearances in many European countries as well as concert tours in China, USA, Mexico and South America. Some of her international festival appearances include the Innsbruck Festival of Early Music, Bachfest Leipzig, London Festival of Baroque Music and Budapest Spring Festival. While performances in prestigious venues include Musikverein (Vienna), Wiener Konzerthaus (Vienna), Philharmonie de Paris (Paris), Shanghai Symphony Hall (Shanghai), Teatro Colón (Buenos Aires), Palacio de Bellas Artes (Mexico City), Cuvilliés Theatre (Munich), De Montfort Hall (Leicester), Grand Hall (Budapest) and Müpa (Budapest).

Career highlights include a South American tour as a soloist with Orchester Wiener Akademie; as well as a world tour with conductor Martin Haselböck. Also another world tour with conductor David Stern and acclaimed artists Andreas Scholl, Laurent Naouri, Markus Werba and the Tölzer Knabenchor. Other notable engagements include the Modern World Premiere of M. Haydn’s Kaiser Constantin I. Feldzug und Sieg alongside renowned soprano Emőke Baráth.

Some of her opera roles include portrayals of Ermione (Oreste), Tonina (Prima la musica e poi le parole), Mademoiselle Silberklang (Der Schauspieldirektor), Ilia (Idomeneo), Despina (Così fan tutte), Susanna (Le Nozze di Figaro), Servilia (La Clemenza di Tito), Olympia (Les Contes d’Hoffmann), Blanche de la Force (Dialogues des Carmélites), Greta Fiorentino (Street Scene), Atamira (L’empio punito), as well as the title role of the contemporary children’s opera Prinzessin LiebDieLiebe.

Whereas some of her concert engagements include the title role of Händel’s Theodora, Bach’s Mass in B Minor (BWV232), Bach’s St. Matthew Passion (BWV244), Bach’s Der zufriedengestellte Aeolus (BWV205), Britten’s Les Illuminations, Orff’s Carmina Burana, Haydn’s Die Jahreszeiten, Fauré’s Requiem, Schubert’s Messe Nr. 2 G-Dur, and Mozart’s Exsultate, jubilate (K165).

Her solo recital appearances include performances in Müpa (Budapest), Solti Hall (Budapest), Leighton House (London),  Karmeliterkloster (Frankfurt), Pallas Theatre (Nicosia) in her home country, among others. 

Her musical theatre and operetta engagements include songs from The Phantom of the Opera, West Side Story, Mary Poppins, A Little Night Music, Sweeney Todd, Whistle Down the Wind, Tell Me on a Sunday, the operetta Candide, and many more.

Theodora has received vocal coachings with renowned artists Natalie Dessay, Teodor Currentzis and Michael Schade. She has also participated in masterclasses with Éva Marton, Sumi Jo, Barbara Bonney, Júlia Hamari, Felicity Lott, Michael Chance, Jenny Drivala and Marco Balderi.

quotation markTheodora’s dynamic performance captivated us… Without a doubt, she is a talented actress and comedian.


quotation markTheodora displays a mixture of temperaments. She delights with her fresh voice, bubbling coloratura and a multi-faceted representation…


quotation markWith her great talent for acting, Theodora Raftis creates a Despina on stage who creeps into everyone’s heart as a clown-lady with a mixture of slapstick and eroticism.